„Wie ein Museumswärter“ - Andreas Vitáseks Kabarett(isten)retrospektiven

Authors

Mario Huber
University of Graz image/svg+xml
https://orcid.org/0009-0009-6087-8636

Synopsis

In contemporary Austrian cabaret, older shows are revived. What is special about this is that the original performers do not perform them; rather, younger cabaret artists perform the roles of previous generations. This article will use two works by cabaret artist Andreas Vitásek (1956–) to discuss the nuances of character portrayal associated with this approach. These provide clues as to how the art form is evolving. The discussions will focus on the relationship between stage and private persona, which is unique to cabaret and reflected in an interesting way in Vitásek’s shows. This highlights the close relationship between cabaret and other media, and how it is constantly evolving to distinguish itself from competing forms of entertainment. Examining Vitásek’s work reveals that contemporary cabaret incorporates a variety of theatrical and comedic performance styles. Artists deliberately employ these styles, which are recognized as such by audiences.

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Published

September 3, 2026

License

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

How to Cite

Huber, M. (2026). „Wie ein Museumswärter“ - Andreas Vitáseks Kabarett(isten)retrospektiven. In G. Lovrić, A. Pavić Pintarić, & M. Jeleč (Eds.), 70 Jahre Germanistik in Zadar: Rückblicke, Einblicke, Ausblicke (pp. 55-74). Morepress Books. https://doi.org/10.15291/9789533316505.03