A Preliminary Attribution to Jacopo Amigoni: Madonna and Child on the Island of Visovac

Authors

DOI:

https://doi.org/10.15291/ars.2759

Keywords:

Jacopo Amigoni, Visovac, painting, Rococo, Venice, Franciscans

Abstract

The painting Madonna and Child on the island of Visovac is comparable to the paintings produced by Jacopo Amigoni in the early 1740s, at the time when he stayed in Venice and probably established a workshop. The article explains the reasons for a preliminary attribution of this painting to the prominent painter of the Venetian and European Settecento, and its significance for the Franciscan artistic heritage in Dalmatia.

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Published

2018-12-28

Issue

Vol. 8 (2018)

Section

Original scientific paper

License

Ars Adriatica is an Open Access journal. Users are allowed to read, download, copy, redistribute, print, search and publish links, as well as alter, transform, or build upon its content, or use them for any other lawful purpose as long as they attribute the source in an appropriate manner according to the CC BY 4.0 licence.