Ekološke teme u suvremenoj hrvatskoj distopijskoj prozi i prozi sdistopijskim elementima

Autor(i)

DOI:

https://doi.org/10.15291/csi.4446

Ključne riječi:

antropocentrizam, distopija, ekokritika, zagađenje, resursi

Sažetak

Važne ekološke teme: klimatske promjene, onečišćenje zraka, vode i tla, izumiranje biljnih i životinjskih vrsta te hrana kao temeljna ljudska potreba analiziraju se u korpusu distopijskih tekstova i onih s distopijskim elementima. Distopijska sastavnica u svima pripada drugom valu distopijske fikcije (Matus 2009: 7). Korpus čine pripovijetka Bijela promenada (2016.) Eda Barola i osam romana: Bojno polje Istra (2007.) Danila Brozovića, Centimetar od sreće (2008.) Marinka Koščeca, 2084: Kuća Velikog Jada (2012.) Ive Balenovića, Planet Friedman (2012.) Josipa Mlakića, Romeo na kraju povijesti (2015.) Aljoše Babića, Rat za peti okus (2015.) Veljka Barbierija, Dedivinacija (2018.) Jelene Hrvoj i Rakova djeca (2019.) Dalibora Perkovića. Teorijska perspektiva u radu je ekokritička: istražuju se aspekti odnosa čovjeka i prirode koja ga okružuje, odnosno u kojoj mjeri čovjek prirodu i njezine stanovnike doživljava kao sebi jednake. Posljednje poglavlje daje uvid u rezultate i rješenja koja neki autori nude kao izlaz iz kataklizmičkih situacija, a smisao i učinkovitost tih rješenja vrednuje se s ekokritičkog stajališta.

Preuzimanja

Nema statistike

Reference

Sources

Babić, Aljoša. 2015. Romeo na kraju povijesti. Zagreb: Jesenski i Turk.

Balenović, Ivo. 2012. 2084: Kuća Velikog Jada. Zagreb: Jesenski i Turk.

Barbieri, Veljko. 2015. Rat za peti okus. Zagreb: Profil knjiga.

Barol, Ed. 2016. “Bijela promenada”. Sirius B 27: 37–96.

Brozović, Danilo. 2007. Bojno polje Istra. Zagreb – Sarajevo: Naklada Zoro.

Hrvoj, Jelena. 2018. Dedivinacija. Nacija psihoze. Poznanovec: vlastita naklada.

Koščec, Marinko. 2011. Centimetar od sreće. Zagreb: Profil international.

Mlakić, Josip. 2012. Planet Friedman. Zaprešić: Fraktura.

Perković, Dalibor. 2019. Rakova djeca. Zagreb: Hangar 7.

Literature

Adamson, Joni. 2001. American Indian Literature, Environmental Justice, and Ecocriticism: The Middle Place. Tucson: University of Arizona Press.

Baccolini, Raffaella and Tom Moylan. 2003. “Introduction: Dystopia and Histories”. Dark Horizons: Science Fiction and the Dystopian Imagination. Ed. Raffaella Baccolini and Tom Moylan. New York – London: Routledge: 1–12.

Beljan, Iva. 2013. “Novi, stari svijet”. Motrišta 71–72: 140–143.

Božić, Rafaela. 2022. “The Motif of Nature in Early Russian Soviet Utopian and Dystopian Novels”. Poznanskie Studia Slawysticzne 22: 47–66. https://doi.org/10.14746/pss.2022.22.2

Brayton, Dan. 2012. Shakespeare’s Ocean: An Ecocritical Examination. Charlottesville: University of Virginia Press.

Buell, Lawrence. 1995. The Environmental Imagination: Thoreau, Nature Writing, and the Formation of American Culture. Cambridge, MA – London: Belknap Press of Harvard University Press.

Buell, Lawrence. 2005. The Future of Environmental Criticism: Environmental Crisis and Literary Imagination. Oxford: Blackwell Publishing.

Cohen, Jeffrey Jerome. 1996. “Monster Culture. Seven Thesis”. Monster Theory. Reading Culture. Minneapolis – London: University of Minnesota Press: 3–26.

Ćirić, Saša. 2014. “Krateri budućnosti”. Sic, časopis za po-etička istraživanja i djelovanja 15: 50–79.

Dery, Mark. 1996. Escape Velocity: Cyberculture at the End of the Century. New York: Grove Press.

Estok, Simon C. 2011. Ecocriticism and Shakespeare. Reading Ecophobia. New York: Palgrave MacMillan.

Fakemi, Abiodun. 2022. “Petro-Fiction and Pseudo-Environmental Activism: The Defining Moments in Chimeka Garricks’ Tomorrow Died Yesterday”. Open Access Library Journal 9: 1–16.

Garner, Benjamin Maxwell. 2015. “Far Over the Misty Mountains Cold: An Ecocritical Reading of J. R. R. Tolkien’s The Hobbit”. Bucknell Digital Commons. Honors Thesis. https://digitalcommons.bucknell.edu/honors_theses/291/ Retrieved 3 March 2024.

Glotfelty, Cheryll. 1996. “Introduction: Literary Studies in an Age of Environmental Crisis”. Ecocriticism Reader. Landmarks in Literary Ecology. Ed. Cheryll Glotfelty and Harold Fromm. Athens – London: The University of Georgia Press: XV–XXXVII.

Gourley, James. 2020. “‘Trapped by the climate’: Reading Albert Camus’s The Plague in Light of Anthropogenic Climate Change”. ISLE 27, 4: 732–752. https://doi.org/10.1093/isle/isaa112

Griffiths, Matthew. 2013. “Climate Change and the Individual Talent: Eliotic Ecopoetics”. symplokē 21, 1–2: 83–95. https://doi.org/10.5250/symploke.21.1-2.0083

Hensley, Nathan. 2015. “Cultivating biophilia: Utilizing direct experience to promote environmental sustainability”. Journal of Sustainability Education. http://www.susted.com/wordpress/content/cultivating-biophilia-utilizing-direct-experience-to-promote-environmental-sustainability_2015_03/ Retrieved 4 March 2024.

Jimmy, Neema Bagula. 2015. “Ecocritical Approach to Literary Text Interpretation”. International Journal of Innovation and Scientific Research 2: 369–378.

Jones, Brandon. 2020. “Between Earth and Sky: Atmospheric Ambiguity in Octavia E. Butler’s Parable Series”. ISLE 27, 4: 690–714. https://doi.org/10.1093/isle/isaa018

Levin, Frank S. 2023. Global Warming: Truth and Consequences. A Primer. Cham: Springer.

Mangum, Teresa. 2007. “Narrative Dominion or the Animals Write Back? Animal Genres in Literature and the Arts”. A Cultural History of Animals in the Age of Empire. Ed. Kathleen Kete. Oxford: Berg: 154–175.

Matus, Hannah. 2009. “Reflections on Terror from Aldous Huxley to Margaret Atwood: Dystopic Fiction as Politically Symbolic”. A Senior Honors Thesis. The Ohio State University. https://kb.osu.edu/items/eb3f25cb-56eb-5259-a867-6f2722bd41e0 Retrieved 2 March 2024.

Milburn, Colin Nazhone. 2003. “Monsters in Eden: Darwin and Derrida”. MLN 118, 3: 603–621. https://doi.org/10.1353/mln.2003.0060

Murphy, Patrick D. 2009. “The Non-Alibi of Alien Scapes: SF and Ecocriticism”. Ecocritical Explorations i Literary and Cultural Studies. Fences, Boundaries and Fields. Lanham, MA: Lexington Books: 89–108.

Ortiz-Robles, Mario. 2016. Literature and Animal Studies. Abingdon – Oxon – New York: Routledge. https://doi.org/10.4324/9781315880389

Rabkin, Eric S. 1996. “Fantastično i žanrovska kritika”. Mogućnosti 43, 4–6: 105– 125.

Suvin, Darko. 1979. Metamorphoses of Science Fiction. On the Poetics and History of a Literary Genre. New Haven, CT: Yale University Press.

Thompson, Michael. 1979. Rubbish Theory: The Creation and Destruction of Value, Oxford – New York: Oxford University Press.

Thornber, Karen. 2014. “Literature, Asia, and the Anthropocene: Possibilities for Asian Studies and the Environmental Humanities”. Journal of Asian Studies 73, 4: 989–1000. https://doi.org/10.1017/S0021911814001569

Weik von Mossner, Alexa. 2017. “Cli-Fi and the Feeling of Risk”. Amerikastudien / American Studies 62, 1: 129–138.

Wolfe, Gary K. 2011. Evaporating Genres: Essays on Fantastic Literature. Middletown, CT: Wesleyan University Press.

Internet sources

“The essential list of the main subgenres of science fiction and their most notable works”. Science Fiction is Real. https://scifisreal.com/subgenres-of-science-fiction-with-most-notable-works/ Retrieved 11 May 2024.

“Space Opera”. SFE, The Encyclopedia of Science Fiction. https://sf-encyclopedia.com/entry/space_opera Retrieved 11 May 2024.

“The Slipstream”. The Slipstream. https://theslipstream.com.au/about/ Retrieved 10 May 2024.

Preuzimanja

Objavljeno

26.08.2024.

Broj časopisa

Rubrika

Pregledni rad