Autorska prava u digitalnom dobu
kako internet i peer-to-peer tehnologija za razmjenu podataka utječu na percepciju autorskih prava i njihovo kršenje
DOI:
https://doi.org/10.15291/libellarium.v0i0.232Ključne riječi:
Zakon o autorskom pravu, autorska prava, digitalna kultura, peer-to-peer tehnologija za razmjenu podataka, mrežne tehnologijeSažetak
U kulturi binarnih sustava, digitalnih sadržaja i tehnoloških praksi autorska prava i zakon o autorskom pravu prolaze kroz određene promjene. Tehnološki razvoj postupno potiče razvoj novog koncepta autorstva i autorskih prava, promovirajući slobodni internet i digitalno tržište te stvarajući novo suvremeno iskustvo kulture utemeljene na digitalnoj tehnologiji, masovnoj komunikaciji i svijetu multimedije i virtualnosti. Unatoč tomu što računalna i digitalna tehnologija na različite načine služe i autoru i korisniku, obje su tehnologije ujedno i vrlo plodno tlo za razmjenu zaštićenih autorskih djela, što dovodi do pojave različitih oblika kršenja autorskih prava. Cilj je ovoga rada identificirati i analizirati načine na koje računalna i digitalna tehnologija potiču razvoj novih trendova u području proizvodnje (npr. kultura remixa) i konzumacije i distribucije (npr. peer-to-peer tehnologija za razmjenu podataka) digitalnih kulturnih sadržaja, ali i utvrditi kako novi oblici distribucije i korištenja digitalnih sadržaja mijenjaju i oblikuju percepciju autorstva u 21. stoljeću. Kako bi analizirali prirodu, strukturu i dinamiku utjecaja novih digitalnih i mrežnih tehnologija na koncept autorstva i autorskih prava te kako bi ispitali konzistentnost postavljenih hipoteza, autori su proveli anketu među općom hrvatskom populacijom u dobi od 15 do 60 i više godina. Prikupljeno je ukupno 535 ispunjenih upitnika. Podaci su analizirani pomoću alata SPSS i metode kvantitativne analize. Posebna je pozornost posvećena konceptu autorstva u digitalnom okružju kao i konceptu peer-to peer tehnologije za razmjenu podataka koja je, unatoč tomu što je prisutna već dulje vrijeme, još uvijek popularna mrežna arhitektura za distribuciju, korištenje i razmjenu digitalnih sadržaja. Rezultati istraživanja pokazali su da većina ispitanika koristi peer-to-peer tehnologiju za razmjenu podataka kako bi pristupila digitalnim kulturnim sadržajima (npr. filmovima, glazbi, knjigama i sl.) te kako bi ih konzumirala i/ili dalje dijelila putem mreže, kršeći pritom prava autora, odnosno nositelja autorskih prava. To je ujedno jedan od glavnih razloga zašto nositelji autorskih prava i kreativna industrija neprestano pokušavaju pronaći nove načine kako se boriti protiv peer-to-peer tehnologije, posebice kada je u pitanju komercijalna distribucija kulturnih sadržaja, čime ponekad ograničavaju kulturnu proizvodnju i tehnološki napredak. To dovodi do zaključka da novo dinamično, decentralizirano i distribuirano mrežno okružje utemeljeno na principima digitalne demokracije i participirajuće kulture prosumera traži određene izmjene zakona o autorskom pravu i nova rješenja o pitanju njegova kršenja. Istraživanje je pokazalo da se temeljno razumijevanje autorstva, tj. prava autora i drugih kreativnih djelatnika u kontekstu internetske kulture i digitalnih medija nije značajno promijenilo, no uslijed pojave novih načina digitalne proizvodnje i konzumacije kulturnih sadržaja, stavovi, navike i prakse korisnika doživjele su određene promjene. Sukladno tomu zakonodavstvo mora pronaći nove i drugačije mehanizme kako bi uspostavilo ravnotežu između potreba i prava autora i potreba i prava korisnika.
Preuzimanja
Reference
Aplin, T. 2005. Copyright law in the digital society: the challenges of multimedia. Portland. Hart Publishing.
Atkinson, B., and B. Fitzgerald. 2014. A short history of copyright: the genie of information. Cham: Springer International Publishing.
Baldwin, P. 2014. The copyright wars: three centuries of trans-atlantic battle. Oxford: Princeton University Press.
Bell, T. W. 2014. Intellectual privilege: copyright, common law, and the common good. Washington: Mercatus Center.
Benkler, Y. 2006. The wealth of netwoks: how social production transforms markets and freedom. New Haven: Yale University Press.
Boon, M. 2010. In praise of copying. Cambridge: Harvard University Press.
Boyle, J. 2008. The public domain: enclosing the commons of the mind. New Haven: Yale University Press.
Campbell, R., Martin. C. R., and B. Fabos. 2014. Media and culture: mass communication in a digital age. Boston: Bedford/St. Martin's.
Cassadeus-Masanell, R. and Hervas-Drane, A. 2010. “Peer-to-peer file sharing and the market for digital information goods.” Journal of economics & management strategy 19, 2: 333-373.
Decherney, P. 2011. “Gag orders: comedy, Chaplin, and copyright”. In Modernism and copyright. Ed. by Paul K. Saint-Amour. New York: Oxford University Press. pp. 135 – 144.
Digital Millenium Copyright Act, Pub. L. No. 105-304, 112 Stat. 2860 (Oct. 28, 1998), codified at 17 U.S.C. 512, 1201-05, 1301-22; 28 U.S.C. 4001. Accessed July 7, 2015 http://copyright.gov/legislation/pl105-304.pdf
Doctorow, C. 2008. Content: selected essays on technology, creativity, copyright, and the future of the future. San Francisco: Tachyon Publications.
Endeshaw, A. 2004. Reconfiguring intellectual property for the information age: towards information property?” The Journal of World Intellectual Property 7, 3:327-364.
Firat, A. F., and A. Venkatesh. 1993. “Postmodernity: the age of marketing.” International Journal of Research in Marketing 10, 3: 227-249.
Gantz, J., and J. B. Rochester. 2004. Pirates of the digital millenium: how the intellectual property wars damage our personal freedoms, our jobs, and the world economy. New Jersey: FT Prentice Hall.
Gere, C. 2008. Digital culture. London: Reaktion books.
Gillespie, T. 2007. Wired shut: copyright and the shape of digital culture. Cambridge: The MIT Press.
Goldsmith, K. 2011. Uncreative writing: managing language in the digital age. New York: Columbia University Press.
Gordon, S. M. 2005. Are you downloading copyrighted stuff?: stealing or fair use. New Jersey: Enslow Publishers Inc.
Guadamuz, A. 2002. “The new sharing ethic in cyberspace.” Journal of World Intellectual Property 5, 1: 129-137.
Haggart, B. 2014. Copyfight: the global politics of digital copyright reform. Toronto: University of Toronto Press.
Henry, C., and J. E. Stiglitz. 2010. “Intellectual property, dissemination of innovation and sustainable development.” Global Policy 1, 3: 237-251.
Hettinger, E. C. 1989. “Justifying intellectual property.” Philosophy & Public Affairs 18, 1: 31-52.
Johns, A. 2009. Piracy: the intellectual property wars from Gutenberg to Gates. Chicago: The University of Chicago Press.
Kim, M. 2008. “The creative commons and digital protection in the digital era: uses of Creative Commons licenses.” Journal of Computer-Mediated Communication 13: 187-209.
Kleon, A. 2012. Steal like an artist: 10 things nobody told you about being creative. New York: Workman Publishing Company.
Lessig, L. 2001. The future of ideas: the fate of the commons in a connected world. New York: Random House.
Lessig, L. 2004. Free culture: how big media uses technology and the law to lock down culture and control creativity. New York: The Penguin Press.
Lessig, L. 2004. Kod i drugi zakoni kiberprostora. Zagreb: Multimedijalni institut.
Lessig, L. 2008. Remix: making art and commerce thrive in the hybrid economy. London: Bloomsbury.
Levine, R. 2011. Free ride: how digital parasites are destroying the culture business, and how the culture business can fight back. New York: Anchor.
Lites, C. 2014. William Gibson sees the future: but he's not trying to predict it. December 15th 2014. Accessed July 7, 2015 http://www.slate.com/articles/technology/future_tense/2014/12/the_peripheral_william_gibson_discusses_technology_and_predicting_the_future.html
Litman, J. 2006. Digital copyright. New York: Prometheus Books.
Mazziotti, G. 2008. EU digital copyright law and the end-user. Berlin: Springer-Verlag.
Medak, T. 2008. “Transformations of cultural production, free culture and the future of the Internet.” Digital Culture: The Changing Dynamics. Ed. By Aleksandra Uzelac and Biserka Cvjetičanin. Zagreb: Institute for International Relations. pp. 59-70.
Moyo, L. 2008. “Digital democracy: enhancing the public sphere.” In Digital cultures: understanding new media. Ed. by Glen Creeber and Royston Martin. Maidenhead: Open University Press. pp. 139-156.
Patry, W. 2009. Moral panics and the copyright wars. New York: Oxford University Press.
Patry, W. 2012. How to fix copyright. New York: Oxford University Press.
Ricolfi, M. 2012. “Consume and share: making copyright fit for the digital agenda.” In The digital public domain: foundations for an open culture. Ed. by Melanie Dulong de Rosnay and Juan Carlos De Martin. Cambridge: Open Book Publishers. pp. 49-59.
Sganga, C. 2015. “EU copyright law between property and fundamental right: a proposal to connect the dots.” In Balancing copyright law in the digital age: comparative perspectives. Ed. by Roberto Caso and Federica Giovanella. Berlin, Heidelberg: Springer-Verlag. pp. 1-26.
Spoo, R. 2011. “Ezra Pound, Legislator: perpetual copyright and unfair competition with the dead.” In Modernism and copyright. Ed. by Paul K. Saint-Amour. New York: Oxford University Press. pp. 39-64.
Steinmetz, R., and K. Wehrle. 2005. “What is this “peer-to-peer” about?” Peer-to-peer systems and applications. Ed. by Ralf Steinmetz and Klaus Wehrle. Berlin: Springer-Verlag. pp. 9-16.
Terranova, T. 2004. Network culture: politics for the information age. London: Pluto Press.
Tutschku, K.; de Meer, H.; Andersen, F-U., and K. Kawashima. 2004. European Transactions on Telecommunications: Special Issue on P2P Networking and P2P service. Accessed July 7 2015 http://onlinelibrary.wiley.com/doi/10.1002/ett.1022/epdf
Vaidhyanathan, S. 2001. Copyrights and copywrongs: the rise of intellectual property and how it threatens creativity. New York: New York University Press.
Vassiliou, A. 2013. Culture and copyright in the digital environment: press release speech. Brussels: European Commission. Accessed July 7, 2015 http://europa.eu/rapid/press-release_SPEECH-13-94_en.htm
Velagić, Z., and D. Hasenay. 2013. “Understanding textual authorship in the digital environment: lessons from historical perspectives.” Information Research 18, 3. Accessed July 7 2015 http://www.informationr.net/ir/18-3/colis/paperC19.html#.ViQQ85NRpD8
Verma, D. C. 2004. Legitimate applications of peer-to-peer networks. New Jersey: Wiley Interscience.
WIPO. 2008. Study on copyright limitations and exceptions for libraries and archives. Geneva: WIPO.
Zakon o autorskom pravu i srodnim pravima. Narodne novine 167/03. Accessed July 7, 2015 http://narodne-novine.nn.hr/clanci/sluzbeni/2003_10_167_2399.html
Zakon o izmjenama i dopunama Zakona o autorskom pravu. Narodne novine 58/93. Accessed July 7, 2015 http://narodne-novine.nn.hr/clanci/sluzbeni/2007_07_79_2491.html
Zekos, G. I. 2005. “Issues on intellectual property in cyberspace.” Journal of World Intellectual Property 5, 2: 233-272.
Preuzimanja
Objavljeno
Broj časopisa
Rubrika
Licenca

This work is licensed under a KreativniCommons Attribution-NonCommercial Međunarodne licence.


