Svršetci kod Flanna O'Briena i Samuela Becketta
DOI:
https://doi.org/10.15291/radovifilo.1624Sažetak
U radu autor polazi od konteksta kraja stoljeća i opisuje kako pitanja kraja igraju veliku ulogu u ljudskom životu. On potkrijepljuje svoju argumentaciju pozivajući se na pisce koji su razmatrali važnost temporalnog prekida i na osobnoj i na društveno-povijesnoj razini. Središnji dio rada bavi se prikazom svršetaka u djelima irskih pisaca Flanna O'Briena i Samuela Becketta. Prema autorovoj argumentaciji, unatoč značajnim razlikama u tekstovima dvaju pisaca, kod oba je umjetnika razvidno kako okvir u kojemu se nalazimo ima ogroman utjecaj na način kako se sučeljujemo sa svršetkom. Taj uvid omogućuje autoru ukazati na stvari koje su, po njemu, specifične iskustvu dvadesetog stoljeća ali, polazeći od spoznaje kojoj podučavaju irski tekstovi, on naglašava kako je svjestan da njegove prosudbe o kraju možda nisu ništa nego diskurz naraštaja koji osjeća otkucaje biološkog sata.Reference
A dam , Barbara 1994. Time and Social Theory. Cambridge: Polity Press. B a u d rilla rd , Jean 1995. The Illusion of the End. Cambridge: Polity Press. B eck, Ulrich, Anthony G id d e n s and Scott L a sh 1994. Reflexive Modernization: Politics, Tradition and Aesthetics in the Modern Social Order. Cambridge: Polity Press. B e c k e tt, Samuel 1965. Three Novels by Samuel Beckett. New York: Grove Press. B ird , Jon, Barry C u rtis , Tim P u tn am , George R o b e rts o n and Lisa T i c k n e r 1993. Mapping the Futures: Local Cultures, Global Change. London: Routledge. B rak e , Laurel (editor) 1995. The Endings of Epochs. Cambridge: D.S. Brewer. C o m a y, Rebecca and John M cC u m b er 1999. Endings: Questions of Memory in Hegel and Heidegger. Evanston: Northwestern University Press. C o w art, David 1989. History and the Contemporary Novel. Carbondale: Southern Illinois University Press. D ean e, Seamus 1985. Celtic Revivals: Essays in Modern Irish Literature. London: Faber and Faber. F o r s t e r, E. M. 1970. Howards End. London. London: Penguin. G ray, John 1997. Endgames: Questions in Late Modern Political Thought. Cambridge: Polity Press. G rg a s. Stipe 1989. Nietzsche i Yeats. Zagreb: Hrvatsko filozofsko društvo. G r g a s, Stipe 1991. "Samuel Beckett and Flann O'Brien: Two ways out of Joyce” in Grosman and Mazetic. Trends in the Contemporary British Novel 1940- 1990. Ljubljana: Birografika Bori. G r g a s, Stipe 1991. "Tragic Affirmation in Yeats and Nietzsche", Or bis Literarum,46, 1991., Kopenhaven, str.165-179. G rg as, Stipe 1998. "Yeats's Marching Songs", STUDIA ROMANICA ET ANGLICA ZAGRABIENSIA, XLIH, 1998. p. 173-180. H assan , Ihab 1982. The Dismemberment of Orpheus. Madison: The University of Wisconsin Press. H o ld rid g e , Jefferson, "Heart's Victim and its Torturer: Yeats and the Poetry of Violence", Irish University Review, Spring/Summer 1997, p. 111-128. J e n k in s , Keith 1997. The Postmodern History Reader. London: Routledge. K erm o d e, Frank 1977. The Sense of an Ending: Studies in the Theory of Fiction. Oxford UP. M o rse, Donald and Csilla B e rth a 1994. Worlds Visible and Invisible, Essays on Irish Literature. Debrecen:Lajos Kossuth University. N ew m an, Robert 1996. Centuries' Ends, Narrative Means. Stanford: Stanford University Press. N ic h o lls , Peter (editor) 1983. The Science in Science Fiction. New York: Alfred A. Knopf.
O 'B rie n , Flann 1967. At Swm-Two-Birds. London: Penguin Books. O 'B rie n , Flann 1976. The Third Policeman. New York: Plume Books. O 'B rie n , Flann 1988. The Poor Mouth. London: Paladin. O 'B rie n , Flann 1993. The Dalkey Archive. London: Flamingo. O 'D o n n e ll, Mary, "'Rough Hands and a Sick Culture': The Irish Writer and Cultural Tourism", Irish University Review, autumn/winter 1995, p.263-274. R o b in s o n , James, "Writing Towards Zero: Beckett at the Ending", Irish University Review, autumn/winter 1995, p.215-231. S o la r, Milivoj, "Postmodernizam i mit" Kolo, 1, proljeće 1998, 138-157. W a 1 s h e, Eibhear, "'Angels od Death': Wilde's Salone and Shaw's Saint Joan", Irish University Review, spring/summer 1997, p. 24-32. W a t s o n, G. J. 1979. Irish Identity and the Literary Revival. London: Croom Helm. W ild e, Oscar 1970. The Picture of Dorian Gray. Penguin Books. W ite m e y e r, Hugh. 1997. The Future of Modernism. Ann Arbor: University of Michigan Press.
O 'B rie n , Flann 1967. At Swm-Two-Birds. London: Penguin Books. O 'B rie n , Flann 1976. The Third Policeman. New York: Plume Books. O 'B rie n , Flann 1988. The Poor Mouth. London: Paladin. O 'B rie n , Flann 1993. The Dalkey Archive. London: Flamingo. O 'D o n n e ll, Mary, "'Rough Hands and a Sick Culture': The Irish Writer and Cultural Tourism", Irish University Review, autumn/winter 1995, p.263-274. R o b in s o n , James, "Writing Towards Zero: Beckett at the Ending", Irish University Review, autumn/winter 1995, p.215-231. S o la r, Milivoj, "Postmodernizam i mit" Kolo, 1, proljeće 1998, 138-157. W a 1 s h e, Eibhear, "'Angels od Death': Wilde's Salone and Shaw's Saint Joan", Irish University Review, spring/summer 1997, p. 24-32. W a t s o n, G. J. 1979. Irish Identity and the Literary Revival. London: Croom Helm. W ild e, Oscar 1970. The Picture of Dorian Gray. Penguin Books. W ite m e y e r, Hugh. 1997. The Future of Modernism. Ann Arbor: University of Michigan Press.
Preuzimanja
Objavljeno
16.04.2017.
Broj časopisa
Rubrika
Izvorni znanstveni rad
